Suddenly, September

Oh look, it's not summer any more.

I'm not going to lie, I couldn't be happier. Have I mentioned I'm not all that fond of summer? Probably. It bears repeating, though. I turn into a lump of uselessness during the summer. Heat, humidity, too much sunlight, headaches, constant sweatiness. Anywhere you go there are too many people. People trying to cram in all their fun before September, before they have to go "back". I want to hibernate, close my door, lay under a fan and sleep until the cooler evenings come.

Blah. Give me a cool September breeze and the crisp autumn smell of leaves any day. This is the time I love. This is the time of year I come back to life.

How to sum up the last three months?

I was in Boston in mid-June. It was lovely, as much fun as one can have by oneself when they are at a conference.


Entrance to to a T station in Boston, Summer 2011


A perfect day for a carousel, Boston Common Frog Pond, Summer 2011

I visited my parents for a couple days right after the conference, which was great. We drove around and hung out. We needed that.


Dad's Swamp, Pennsylvania, Summer 2011


Childhood memory, Conneaut Lake Park, Pennsylvania, Summer 2011

I taught in July and August. It was not fun, but it was a job, and not as painful as I was expecting for a course I had never taught before. I didn't get to go to Pennsic due to the time constraints, not even for a few days, and that made me exceedingly cranky. Overall, I tried not to die of heat exhaustion. There were a few days when the heat and humidity weren't so oppressive and I was able to get out, walk around, take some pictures, and remember what an amazing city I live in.


Nathan Philips Square, Toronto, Summer 2011


Cathedral Church of St. James, Toronto, Summer 2011

I've needed to pour myself into work a bit these last couple months, while at the same time hide away and restore my soul. We have been officially cat-less since July 6. I haven't really been able to talk about it much yet, let alone write about it. Ford had a great last few months with us. He went out on his own terms, and I was with him. We miss him. That's really all I can muster, even now, over two months later. So, pictures.


Ford in the park, Summer 2011


OHAI, IZ YOU THERE? (Ford meets the IPad camera) Summer 2011


One of the amazing emails I received from my guys while I was in Boston, Summer 2011

Small luxuries

As I begin to climb out of my long-term depression (for that is indeed what it was, likely going on years now, coming to a head early last summer), I'm finding ways to spoil myself again. It's been so long since I spoiled myself in meaningful ways, not just by buying something I don't need - a new toy or DVD more yarn, another spindle... these things had stopped making me happy. When the things you love stop making you happy, it's time to find other things to help with the happy, so that you can return to the things you love.

And here we have the most indulgent small luxury of working (mostly) from home: A noon-time bath in the middle of last week. Take one of each of these:


One-half of a Sunny Side Bubble Bar and one Avobath Bath Bomb both from Lush

Add the bubble bar first, while the water is running.



Once the bath has been run, add the bath bomb.


The fizziness! The colour! The smell!

Here is the main reason I love this combination. The Sunny Side bubble bar turns the water golden yellow, with gold sparkles swirling through it. (They don't stick to you in the water, and they rinse down the drain easily.) Avobath turns the water green. So together, not only do they smell orange-tangerine-lemongrass yummy, they are sparkly and pretty and the water is avocado-oil soft and full of bubbles.


See the shimmery gold in the green water? This makes me insanely happy.

And just in case you think it's all boring to lie in a tub for 45 minutes doing nothing else, have no fear. There is coffee, and music, or in this case, Stephen Fry's latest podgram. Only once the bubbles and the podcast are done do I get down to the work of actually, you know, bathing.

Would you care for some soap? For possibly the most perfect soap ever made, try some lightly exfoliating Figs and Leaves, or for more scrub, the scrumptious Porridge.


Here, have some soap. No really, have a couple.

Today, I'm going for less scrubby and more sweet-smelling, so I have some Sultana of Soap and The Godmother. Both smell wonderful. Also, this is a great time to do the face cleaner thing.



I'm trying an experiment - the strong Ocean Salt on the left side of the face and the lighter Herbalism on the right. We'll see which one wins out on the oilies.

Finally, a quick shower to wash the hair and rinse out the tub.


That's a NEW! solid shampoo bar, and a Squeaky Green, as well as a small chunk of Jungle solid conditioner, which btw, works equally well for shaving.

------------------------------

Why, yes, I have been shopping at LUSH a lot lately. So why the inventory? Call it... a journey of discovery.

Here's the thing. I love baths. Love them. I always have. From my pre-teens, I would spend hours in the tub, soaking, thinking, getting wrinkly. I've always liked that more than evening TV. When the water got cool, I would drain part out and warm it up again. From late 1990 - late 2007, I had only intermittent access to bathtubs, perhaps when staying in a hotel or visiting friends. I loathe stand-up showers, but they are a staple of dorm and apartment living. A bathtub was one of the top five things I was looking forward to when we bought a house.

I love bath products that smell good, but I'm also very sensitive to smells. If I use something more than twice in a row, the smell, particularly if it's a stronger one, begins to bother me. It's not an allergy, it's... oh, hell, I don't know what it is. It's a sensitivity to scents that affects my mental state. This is the reason I have so many different kinds of soaps. I'm not a germophobe, rather the only way I can continue to enjoy many wonderful scents and soaps is to rotate through them every few days. The alternative is to not bathe as often. During depression, that is sadly the more common option. No need, really, when you rarely leave the house or even get out of bed.*

I knew I was beginning to feel better - more like myself than I had felt in years, in fact - when I began looking forward to long, relaxing baths again. I've missed them terribly.


* I even try to keep two bottles of dishsoap on the go, or else I'll avoid washing dishes because the smell of the same soap day after day drives me apeshit. It took me a long time to figure out that little personality tick, if you can believe it. When I wash a fleece with dishsoap, it has to be the most lightly-scented, inoffensive smell ever, or I will go nuts when I'm still spinning fleece six months later that smells like lemon Sunlight. I ruin more dishsoaps for myself that way...

I swear I'm not really a dyer, Part 1: Indigo, and Battling the Squirrels for Walnuts

Here is what the indigo vat looks like with things soaking in it. It is still going, with the aid of the heating pad and not-yet-freezing temps. I will feed it next week (probably some store-bought plums - our tree is finished for the season, but my vat really liked the plums), and then pack it off to a brave friend's house where it will sit and be cared for until our mid-October BYOP* Dye Madness Day.


I'll have to get a picture of the scarf once I've washed it out. It came out stunning.

In the meantime, I've been spinning some of my indigo-dyed fleece into a weight hopefully appropriate for cross-stitch in single ply, and satin-stitch embroidery in two-ply.


Indigo blue with a creamy white Dorset filling!

I've picked up some walnuts from the ground, but it looks like I missed most of them when they first fell. They're no longer green and ripe, but black. I certainly wouldn't eat the nuts from these - they sat on the ground in the rain for days and started to go a little moldy - but I've been told I can still use the husks for dying, so I picked them up anyhow.

The squirrels got all the good ones, believe me. If it's green and still lying on the ground and the squirrels haven't taken it, it's bad and already has bugs in it. They know these things. They've been kind enough to leave small piles of walnut husks on the stones and chair, so I've collected some of that, too. It's all currently soaking in water to make a brown "tea" for dyeing. I need a little bit of black, so I plan to overdye a handful of the teal.

Every time I go near the walnut tree, a voice above my head starts chattering and cursing at me in ... squirrel. Of course, I could probably score half a ton of good walnuts if I broke into their stash inside my front awning. They should admire my restraint.

Coming in Part 2 this weekend: Walnut experiments and the last cochineal dyebath.


*Bring Your Own Pee

The frog has a point

Since I got a medium blue colour on white wool after a single six-hour dip in the indigo vat, I put in half of the weld-dyed yellow from last September. Six hours later, I had a lovely deep teal. I let the vat rest for a couple days to re-ferment and reduce some more, then I tried a little more of the weld yellow, this time only dipping it for a minute or so. Again, no luck, it came out a light blue. Not even teal, that time.


Left: Weld yellow before going in the vat.
Centre: Weld yellow after six hours in the vat.
Right: Weld yellow after a minute in the vat.
Obviously, not the greens we're looking for.

Between attempts with the weld, I also tried a different approach, carding together some of the dark blue with a tuft of a friend's yellow roving (I think that was also weld), and spinning it. The result was... greenish? Maybe if I squint, it will look more green. Nope, not going to work.

Sigh.


Not the best video quality, but my favourite performance.

It's become clear that it doesn't take much time in the indigo vat to overwhelm my weld-dyed yellow. Re-reading Lilies, he recommends that greens using indigo+yellow be dyed by doing the indigo first, then mordanting the wool and overdyeing with a good yellow dye. I was beginning to fear that I would have to make time for a yellow dyebath before the weather turns, in addition to the final cochineal batch that I need to do sometime this coming week. But did I mention we have to card out all that cochineal red so that another lady can spin it later this month? And once it's spun, it goes on my loom to make a pillow, hopefully woven by November, so that someone else will have time to sew it together and embroider it in December using the blue, green and white that I'm spinning by hand? And everything has to be done in early January?

And, um, let's not forget that I have real work that I'm supposed to eventually be getting back to. Soon.

Right then. I don't exactly have tons of time here to experiment with with yellow overdyes on my blues to get a nice leafy green. A friend has a bagful of onion skins for me, but I've never dyed with them, and if there's one thing about my dye experiments that I do know, it's that they never, ever come out exactly right the first time, especially when I really need it. I expect I'll end up with orange on my first onion skin dyebath.

In a last-minute desperate move, I pulled off a little piece of that stunningly bright (almost heading toward orange) tin-mordanted onion-skin yellow that I bought from Brush Creek Wool Works at Pennsic. Four quick dips, each less than a minute, gently swish it around a little, air it out for 5-10 minutes in between. Quick vinegar rinse. Wash in warm soapy water. And suddenly...


What I started with, and what I ended with.

...the goal no longer seems quite so far away. I separated out half of the roving and went to town. It's now drying in the basement. If I have time later this month in between everything else, I'll try the onion skins with tin myself. I might even get a chance at another weld dyebath in early October, but what I dyed today will be more than enough green. And even though I didn't do the yellow, I know who did and how, and I can live with that.

As a wise frog reminded me today:
I'm green, and it'll do fine. It's beautiful. And I think it's what I want to be.

I love it when a plan comes together

The super-secret joint knitting project that I last blogged about here was finished and delivered shortly before I went on vacation. All parties involved are (pick one or more:) pleased, surprised, happy, relieved, in recovery, totally into the bright colours.

A group of four knitters (me, Sarah, Lydia, Tanya) and a crocheter (Liisa) in my graduate department pooled our collective string-wrangling prowess together and made an afghan for another grad student (Christine), herself a knitter, who was having a baby. Er, make that had a baby, a few months ago, and a very cute one at that. I don't make a habit of putting pictures of other people's kids up on my blog, especially without explicit permission, so you'll just have to trust me.

I can, however, post some pictures of the finished blanket. Well, mostly finished. I think this was before the crochet ends were woven in. The "finished" pictures all feature a very cute infant, whose mother I will have to speak to in-person before I go posting his adorable mug willy-nilly all over the innernets.


Yarn: New Bernat Satin. Very light and soft, 100% Acrylic, 100% (the most important thing!) puke-washable

Each colour of square contains a different pattern. The patterns for the squares are from this book of knitted baby washcloths. We used six red rocking horses, ten orange butterflies, eight yellow duckies, six green bunnies, four blue sailboats, and two purple baby carriages.

Each of the knitters took a colour and pattern, according to how fast we thought we could knit and how much time we had over the next several weeks. I'm always looking for a good cause for procrastination, so I jumped on the ten orange butterflies that evening, while Lydia took the yellow duckies. Tanya took the red (and eventually also the blue), and Sarah took the green. I finished relatively quickly (yay, procrastination!) so later on I also did the 2 purple squares. For those who are interested in such things, we got almost exactly four squares out of a ball of yarn.

For yuks, here is the "napkin layout": After Liisa proposed the project and we all signed on, Lydia, Liisa and I made the initial covert field trip to Mary Maxim in late February to pick out yarn, look for some patterns, and then sit down somewhere with food and figure out the logistics. Finding the washcloth pattern book* was an inspirational lucky turn, and "somewhere with food" ended up being the foodcourt of the mall, so between bites of my A&W rootbeer and burger, I sketched out the general game plan and layout on a food court napkin.


All the best plans are drawn on a napkin.

We were, of course, hoping the squares would all turn out the same size... but realistically, four different knitters all getting exactly the same size squares? Not likely. Lydia did some blocking, which helped, but Liisa was the star who took all the squares and made them fit together using the wonderous power of crochet. She even managed to do it while keeping our original layout intact. Here's a closeup of her excellent crochet border.


All hail the magic of crochet!


*I'm not usually one for the simple washcloth patterns, but I think I might have to get this other booklet by the same designer.

The grass and sunlight are woven in for free

I'm home from Pennsic. This year I camped in a new location with a different group. (I-79 side of the Serengetti rather than on Runestone Hill). Being with a small group was quite a bit different compared to the 40+ people in my encampment last year, but I did miss the other group a little. Our encampment was so quiet. Well, OK, quiet in some ways. I haven't completely passed judgement on the location, but I could definitely have done without the almost constant air horns and jack brakes from the highway.

However, it was nicely flat (a bonus, seriously), shockingly convenient to the merchants, main food court and A&S tents, and I did not miss climbing the steep part of the hill every day. I did miss the sound of drums coming up from the lake all night long, though, and the feeling of being more at the centre of things. I'll have to wait a couple months until it's in long-term memory before I decide if I liked the good parts of it enough to camp over there again.


This was taken shortly before tear-down, so the camp fence and lanterns are already gone.

I played in a very excellent pickup dance band from Sunday through Tuesday. I'm still not a spectacular recorder player, but I'm starting to be able to hold my own on melody and play most things up to speed, which makes me happy. I still need a lot of work on recorder, though.

At heart, I suspect I'll always be a brass player. I believe I want need a sackbut. Possibly before the natural horn. Some day.

I was pretty good about not buying too much. I did have to pick up the obligatory spindle:


Yes, it's a heart. Yes, the pink felt baggie came with it. It would make me sick if it weren't so darn pretty.

...and the traditional couple of bags of naturally-dyed roving from Brush Creek Wool Works.



I had to get the red. Their cochineal red with tin mordant is almost exactly the colour we got. In fact, these were the reddest bags of the batch - the rest of her selection were noticeably lighter. I suspect the evenness of her colour compared to ours is because she dyes rovings, not raw fleece of questionable cleanliness. Her cochineal with alum mordant roving was close to our raspberry batch. It makes me feel considerably better to know we got what the pros get with our cochineal dyebaths. Oh, and that yellow? Onion skins with tin. Really, how awesome is that? Onions are the new neon.

I also picked up a pretty thing for my hair, a tiny hard leather pouch, two small handbound leather journals (with handmade paper! and refillable! one for me and one for Daniel to use as a sketchbook), some herbs for a friend and tea and honey - nothing to break the bank. No looms this year, thanks, and I even passed up on the expensive but lovely closed-toe shoes. I walked past the harps and sighed.

Once again, Dread Viscountess Seelie offered rigid heddle weaving classes, so a lot of my second week was spent weaving and generally playing with string. This year we were re-creating several specific archaeological textiles on the rigid heddle loom, using the multiple-heddle technique she taught last year. A few of us offered up our looms as teaching looms, so in all we had five looms going with different warps. We all wove a few inches on each pattern. All designs were woven on standard 20" Beka SG-20 rigid heddle looms, using either two or three heddles as required (3 or 4-shaft patterns), and no pickup sticks.

First a 1-2 Rippenkoper. This is a three-shaft design, requiring only two heddles. Basically, it switches between a 2-1 twill and a 1-2 twill, weft-faced to warp-faced, and also reverses.



Next, a rosette twill. This is 4-shaft design, done using three heddles.


I think this might actually be the back, but I like this side better.

And finally, my absolute favourite, the Jorvik 1336 (i.e. "Coppergate") textile. A honeycomb, or wabengawebe with a twill. I messed up the pattern more than once, being highly distractible on a good day, even more so there. A couple times I only did one repeat of the pattern, and once I did three. But I definitely want to make some long pieces of this one and do something with them.


Front of an apron dress, perhaps? Hmmm.

There was also a loom with a standard 4-harness twill warp, but since I did the twills and double-weaves last year, I didn't do more of those. One of the looms had to go back with its person early and we ran out of time, and since I was planning to put that very warp onto my loom at home, I was asked if I could weave up 5-6 samples to send off to the instructor and others in the class. It's definitely no hardship! I'm learning a lot, and getting the warping experience I was looking for.

So, now on my loom and weaving up nicely, a 2-1 Lozenge. This one is another three-shaft pattern, so it only requires two heddles.


Sample one of five. Or maybe six.

There really is something to be said for sitting under a sun shade, warping looms with a group of women, chatting with the person across from you, muttering the count of the warp thread quietly between sentences... "Here's the three. So, did you guys get wet last night? No, I was very dry - two fours coming through - but it was freaking cold when I woke up at three in the morning. Is that sixteen? OK, tie that off."

Someone might have caught a video of Seelie weaving in one of the classes, in which case I'll definitely post a link. Most of the drafts for these patterns can be found at the complex weavers medieval textiles study group, in the section on the textiles discussed in Lise Bender Jorgensen's book. The Coppergate textile draft is from Thora Sharptooth's site.

Aside from the RH weaving, I didn't take too many classes - one exception being a viking wire weaving class. I got to make a necklace, and wire-wrap a bead. I need to finish it with a hook for it to be completely done - but the part where you pull it through the drawplate is so much fun. It's like magic.



What do mean you don't go to Pennsic to weave?

I leave you with this. It was visible from Currie Road, near the west gate.


Everyone goes to Pennsic, didn't you know?

Things I Can't Get at Home

I am in PA. One would think I would be at Pennsic, since it is well underway, I have a medallion, and my Very Medieval Tent is set up in our campsite over there, looking very medieval indeed.

One would be wrong.

I'm at my parents house, the house I grew up in, sitting at the kitchen table. The kitchen has been redone recently, but the table looks exactly the same. For some reason, when Mom, Dad and I sit at it to play cards, we sit around it in exactly the way we always did: Me with my back to the door and fridge, Mom to my right, Dad to my left (or directly across the table).

It's very strange, these long-term habits.

What is even stranger is that I'm sitting at this table, in this chair, and I have internet access. There is an unexplained, open wi-fi connection that my laptop picked up automatically without asking - suddenly it was downloading email. There's really only one neighbouring house physically close enough to account for it, so my suspicion lies there. I try not to make a habit of borrowing wi-fi connections, except under dire circumstances, so I'm trying not to use it too much or even think about it, lest it disappear suddenly. But I'm also a little delighted that I won't have to pay for internet access over at Pennsic while I'm here just to do an email check every couple days, or run the 5 miles into Butler to a cafe for free access.

The connection is much stronger if I park myself between the grand piano and the Hammond B3 in the sunroom, which I like to think is due to the overwhelming power of such an awesome confluence of keyboards.

I'm also avoiding the work that I'm supposed to be getting done, which is why I'm at the house and not in the tent. So, here is a montage of a few things I can't get at home. From L to R: Frosted Chocolate Vanilla Creme Pop-Tarts, a Butterfinger bar, (American) Mountain Dew, Strawberry Quick powder, Pepperidge Farms Mint Milano Cookies, and handwritten notes from my Mom, with hearts and smiley faces.


Sugar overload

Don't worry, I won't eat it all in one sitting. The cookies are to share with Mom, and the Strawberry Quick is entirely for Daniel. To be fair, I could probably find Butterfinger at home if I knew where to look, but lately, even the places that sell Nestle chocolate bars haven't had them. This flavour of pop-tarts, my only pop-tart weakness, are sometimes even hard to find here. I haven't seen them the last few times I've been down, and the last time a friend offered to bring some back with her for me, I got S'Mores (nope, not even close). The Mountain Dew is just one of those goofy things. I always loved Mountain Dew. Canadian Dew did not, until quite recently, contain caffeine, and the version with caffeine at home has a special name and still doesn't taste the same. I don't drink it, ever. This is probably related to the general cross-border Coke/Pepsi thing. American Coke is made with high-fructose corn syrup. I've never liked it - I grew up drinking Pepsi. Canadian Coke is made with real cane sugar and is wonderful and amazing, but Canadian Pepsi is icky.

And because I'm more than a little homesick, and I miss my Daniel and my fuzzy boys, here are a couple shots I took while playing with the silly features on my old digital camera a couple weeks ago. They were still on the camera when I emptied it just now.




Everything looks better with the polarizing filter!

Okay, enough dawdling. Back to work. I want to be at Pennsic tomorrow!

Seeing red. Finally.

Some friends and I are seeing red. We have been dyeing with cochineal, repeatedly, and with mixed success. I don't think we quite have this cochineal thing down yet, but we're getting better. Um, maybe.

The goal: Enough red wool to spin 1400 yards of singles in a good, strong scarlet, to then ply into 700 yards of 8-12 wpi yarn for the weft thread of a not-really-super-secret-anymore-but-I'm-still-not-advertising project that will be woven on my rigid heddle loom later this year. Since we can get a good 500 yards of singles out of a pound of raw fleece, that's 3 pounds of wool to be dyed. We have to do it in 1-pound batches, which has advantages and disadvantages.

We've done four, yes four, batches of cochineal since last October. Below, from L to R, are batch 2, 3 and 4 drying in my friend's pine trees. I don't have a picture of the first pound, which we did last fall, but for that first attempt we used alum-mordanted wool and a dash of tin added mid-dye to the cochineal bath. Half of that batch had previously been dyed slightly yellow with spinach, the rest not. The spinach portion is a little nicer, but both came out a beautiful scarlet, nicer than even the rightmost (closest) batch here.


Christmas in July? The colours are a little more neon pink here than in-person

As you can see, our dye batches are varying in colour dramatically. We won't be using batch 2, the furthest left, because, ugh. It was our first attempt at tin-mordanted cochineal, which is supposed to give the best scarlets. We tried a version of Lilies cochineal scarlet #1 recipe (Lilies 1990: 131-2), and it was going flame orange. When we added the recommended alum, perhaps not as "carefully" as recommended, the dyebath turned a mucky brown, and the wool a dirty, blue-red.

That experience scared us off the tin a little, so we returned to the alum mordanting for batch three. That's middle batch, above, which came out more raspberry than scarlet. The right batch, dyebath #4, is scarlet (despite this picture showing as bright pink), but lighter than we want, because the dye didn't take to parts of the fleece (perhaps it wasn't scoured enough? Hmmm.).

I pulled a couple sample tufts out of batch 3 and 4 to try a test spin after they dried.


L (batch 3) alum-mordanted cochineal, with 1/2 oz. tin and a dash of tumeric (for yellow) added late in the bath. R (batch 4): Tin and cochineal, one-pot method (Lilies 1990: 132-33), with probably a touch of alum from the previous dyebath still hanging around on the pot and stir-stick

In total, we have a pound of deep raspberry and two pounds of light-mid scarlet that are usable. The plan is to blend together the different dye batches when carding it to get a colour something between both. The two test tufts above give this:


Still not quite the red we're looking for, but this is a 50-50 blend of raspberry and scarlet, and I think we'll be blending it more 33-67% in the end

We'll also need warp thread. I've made the decision, after much deliberation and agonizing, that our handspun DorsetX is simply not going to be suitable to use as warp thread for this project - at least, not the way we'll be spinning it. It will mostly be prepped using cards, not combs (necessary because several people are involved, and handcards are the more common item amongst them), giving a woollen, not worsted yarn. This will make a fuzzy, sticky warp. I also can't confirm that the 2-ply will be strong enough for warp, even on a rigid heddle loom. The test singles definitely weren't.

So in late August, we'll be dyeing another 900 yards of white commercial yarn with cochineal for the warp. It might or might not work: varying colour is one thing when we'll be carding together the different dye batches. But when we dye the skeins, they have to be the colour we want, the first time. Precedent says that we simply don't have that kind of control over the cochineal. So, we'll try it, and if it doesn't work, we'll buy a cone of scarlet warp thread.

In preparation for a weaving frenzy this fall, I've warped up the loom to get some badly needed weaving practice. It seemed a good way to use up the Brown Sheep Cotton Fleece that's been in my stash for years:


The necessities for warping a loom: loom, yarn, coffee, chocolate and yarn tangling wrangling assisstant.

Finally, an indigo vat update. Throughout the unseasonably cool and wet Southern Ontario June, no fermentation has been detected in my vat, although it's still mighty stinky. After consulting with an experienced vat-maker, our guess is that although we had a couple weeks of toasty warm temps in early-mid June, the evening temps around here still go down to 14-17C (in the 50s-60sF), which is causing the vat to cool off too much in the evening and is preventing fermentation. The recommended solution (since I lack a 24/7 firepit):



A double-boiler setup using a fishtank heater. Interesting note: fishtank heaters, even saltwater ones, are not rated for urine, and putting the heater directly into the vat would kill it in short order. Hence the double-boiler. Thank you SharonAnn for that hard-won bit of wisdom, and for being a great indigo vat consultant.

After a couple weeks of this, and several consistent warm and sunny days out of the last seven lacking light rain, thunderstorms and hail, I am starting to smell the unmistakable - and surprisingly pleasant - barnyard-like smell of fermentation under the ever-present stench of stale urine. It's still far from ready, and I'm not entirely convinced that the heater, which has a max temp of 85F (something about not wanting to cook fish?), is warming up the water as much as it needs to be to really encourage things to grow. But it is encouraging. I stir it gently every day or two to get the indigo powder off the bottom of the vat and encourage the chemistry to start. If nothing happens after a week of it staying warm 24/7, then I'll feed it a couple dates.


I still want to believe

I'm not certain how long I can hold on the illusion that I am not really a dyer. I still maintain that this is all about the educational experience, and a single goal. Let's forget about the fact that I'm still contemplating collecting chicory from the roadside, I have weld seeds about to be planted, and that failed attempt to get green from carrot tops a couple months ago... stop laughing. I'm not a dyer. I'm a spinner and weaver who dyes out of necessity. And I am learning quite a lot.

I mean, seriously - did you know that saltwater fishtank heaters weren't rated for urine?

The Power of Dad

Things have been surprisingly busy around here. Mom and Dad visited last weekend. It's always great to see them of course, but even more so when they come here, because Dad comes bearing power tools, years of building fixit experience, and a burning desire to Not Sit Still. In this case, he also brought us the second half of our housewarming gift: a 16-17 ft. telescoping stepladder (the cordless drill was Part One).

A ladder is absolutely essential around here with our high ceilings. Even with a stepstool, DH can barely change a lightbulb without risking serious injury. For me there's no chance. Heaven help us if the smoke alarm had gone off in the last six months. I was considering a nerf crossbow.

Come to think of it, that's probably still not a bad idea. scribbles a note

Dad is the type of guy who has to be kept busy. He loves puttering around drilling and fixing things and generally being extremely helpful. It's his idea of a vacation, if you can believe it. So, to encourage him to visit (we do also enjoy his company, after all) and lest he end up knocking down and putting up walls (it's been known to happen - not here, though... yet), I keep a small list of short-term projects he can play with when he visits.

Within two hours of their arrival, before DH got home from work, Dad had the bathroom fan out of the ceiling, cleaned and back in, purring nicely, a far cry from its previous wake-the-dead-rattle. When DH got home, we unloaded and moved a piano.

The next morning, Dad assembled six drawers for our Ikea wardrobes. We saved those for him (Ikea = DadLego: last time he spent a morning happily assembling our cheap Ikea shelving in the basement). After that, he and DH tackled the air-conditioner, which wasn't running since over the winter something chewed through the wires outside that connected it to the thermostat. It was a 2-person job to run the new wire, so it went onto the DadFunList. I now have air-conditioning again (they both received many hugs and kisses for that, in addition to a fresh round of iced tea).

Then Dad found the loppers and cultivator, and he and DH (bearing the weed-whacker and push-mower) went to town on the jungle growing in our backyard and started plotting the demise of some excess foilage. As the day wound down, he was devising ways of helping me keep up the heat on my indigo vat.

It's OK, he left us a few things to do - the smoke alarms need to be replaced (and now can be, thanks to The Ladder), and we need to get up into the crawlspace and put down some insulation before the fall. Of course, once DH showed him Google Sketch-up, they started excitedly brainstorming ways to tear apart and redo our kitchen. The two of them together are... scary.

I am the luckiest girl ever. I know this. I supply building materials, food, and a constant flow of iced tea, and things happen around me. It's like magic. It's the Power of Dad.

And did I mention I now have my piano?


1978 Baldwin Acrosonic spinet, French provincial style

This is the piano I learned on, ca. 1978. My sister has the piano she learned on (from my grandmother's house). Not to be outdone or without keys, Mom has her "pet rock": a Petrov grand (early on, Dad heard and parsed "Petrov" as "pet rock" and the name stuck). They were so pleased at the notion of recovering some floor space that they loaded the spinet into the trailer and delivered it personally. They've been waiting for me to have a place for it for nearly 15 years. It went into the house much easier than expected, and without serious injury to any person or property.

Now if only I could find all my sheet music. I am missing Chopin, and yet I have two copies of the Bach. It's inexplicable.

In spinning news, I recently scored some lovely new spindles from Butterfly Girl Designs. They are, from L-R, a pair of interchangable carnelian stone whorls on straight shafts, a murano foil whorl on a dark wood shaft, and a black lip mother-of-pearl whorl on an asymetrically carved shaft.



I made a special request for these spindles: shafts without hooks. I've discovered that I prefer using a half-hitch to secure my yarn to the spindle rather than a hook, and BFG was more than happy to help me out. At some point, I would love to get one of her openwork Italian resin spindles, and another multi-whorl set in a nice stone.


The carnelian whorls being used together. Wool is DorsetX, as thin as I can spin it.

I love these paired sets - the whorls are interchangable. Each one can be used separately or together, anywhere on the shaft (high, mid, low), and they would make great supported spindles. No sooner had I bought the carnelian pair than she listed a stunning blue goldstone pair. In the past, she's also had paired sets of rose quartz and hematite. But more spindles will have to wait for a while, I think.

Finally, the first full skein, 135-ish yards, of plied worsted-to-bulky "Berry Berry Nice" yarn: my earliest spinning (the pink tin-mordanted/brazilwood-dyed wool) plied with DorsetX. There's still an equal amount of pink singles left, and I'm spinning more DorsetX to probably make another skein of this.



Whew, that was a lot. I say naps all around are in order:


VAMPIRE CAT SLEEPS DURING DAY

The wildlife needs a nap, too

The backyard is teeming with life. The magnolia tree has lost all its flowers and is now green and leafy. The grass, in the patches where there is grass, is growing. The wildlife is... napping?


Springtime is hard work

I watched this squirrel for nearly half an hour, while it dozed lightly on the fence in the shade of our downspout. When it finally woke up, it made its way down the fence into the shade of a pinetree and posed for a few minutes. I particularly like this one:


This is my better side

I love how its paws are crossed in front.

With the unseasonably cool month of May and first week of June, my indigo vat has not yet started to ferment and reduce, and so it remains stubbornly blue. I've been reassured by people with experience that this is okay, as long as it isn't so cold that things frost. Nothing will happen until the weather warms up - the temperatures need to stay up for several days in a row, and the jar needs to feel as warm to the touch as a heated baby bottle. It finally got there a couple days ago, sitting in the direct sunlight in 26C (that's 79F). That level of warmth lasted a day, and now we're back to room temperature or below, and more rain. But I am patient. The sun will prevail.


I want to believe

I'm still spinning the black superwash/tussah silk batts. I recently figured out that my niddy-noddy is not only designed to skein yarn, but also measure length. If I use the short centre-stick, a full wrap is exactly one yard. Talk about a lightbulb moment. (I think the long centre-stick makes a three yard wrap, but I'll have to check, it might be two.) So now I know exactly what my yardage is. So far I have 220 yds. in singles, and an little more left from the first 38g. bag.


Niddy-noddy: Best non-essential tool ever

I guesstimate I'll get 300 yds. total from the first bag, and then I have another bag of the same amount. Since I want a 2-ply yarn to make a lacey shrug or shawl, that gives me 300 yds. total, which isn't quite enough for what I want to do. 600 yds. should do the trick.

One option is to either make a trip to Purple Purl or call Black Lamb and see if they have more of this colourway (Purple Purl is where I bought it originally, but Black Lamb had several bags of it at the Knitter's Frolic and might still have some). Or I could just go with my original plan of mixing up this black baby alpaca and more of the silk colourway myself to ply it with. I'll probably try a little of the alpaca and silk, ply a small skein and see how it goes before I start scouring the city for more baggies of Pat's Colours batts.

The last week has been, in a word, brutal. I've been trying to make progress on my proposal, and I am failing spectacularly. Things came to a head with me canceling a Very Important Meeting with Lady S. and the committee yesterday. I've never been in this situation before. I'm sure this will have administrative repercussions. It would be so easy if I didn't care. But I do care. I care very much, in fact, and I want to do this so badly - but I want to do it well, I want to do the topic justice, and I can't do that in my current state.

I've come to the realization that I need to see to certain long-term health issues, and that they can simply no longer be put off. They are affecting my every moment, waking or sleeping. Everything in my life - work, hobbies, family - is suffering for it. So, I have temporarily put my committee, my work and several other things, excepting a few small obligations, on hold. The initial appointment has been made and will happen this afternoon. It's the best I can do. It's the only thing I can do, and it has been a long time coming.

It can only get better. It will be better.