But when I'm not working...

I've always had a love affair with the darkroom. I first started developing my own black and white in high school, under the guise of working for the school newspaper and yearbook. A guy I had a huge crush on taught me how to develop film and print photos using the enlarger, and I spent many happy hours in there, under the red light, sometimes with friends and sometimes alone. My first real job was doing shift-work in a large photo-processing plant the summer after my first year of college. Fun times.

I did a quick refresher black and white workshop last summer (whee! developing film on a warm August afternoon in the alley behind Queen Street in Toronto, the smell of drunk barf from the night before still lingering in the air... if you can develop film there, you can do it anywhere, I promise). I don't print my own, just develop the negs and scan them. Yay, technology! Progress! Maybe some day I'll play with doing my own colour film, but right now that's too fiddly for me.

When my long-time hobbyist photographer father-in-law heard that I was now developing my own black and white, he dug out and gave me a couple of his old film cameras (he went digital in the late 90s). They are wonderful things, and I love them. Here's a couple shots from the first few rolls I've run through his old Minolta Autocord II (all black and white are home-processed in Rodinol). I have another black and white roll from this camera drying right now, yay! (Upcoming post: the other adopted vintage camera, the 1946-47 Argus C3 Brick.)

There are two seasons in Toronto. "Cold" and "Patio Season"
(March 2012, Ilford HP5+ 400)

Shopping on Queen Street West
(March 2012, Ilford HP5+ 400)

Cherry Blossoms at U of T
(April 2012, Lomography CN400)

CN Tower in Redscale
(June 2012, Lomography Redscale
XR 50-200, shot@50iso)

Coffee and the Nature of the Universe

When and Where: A city morning in October, going to my favourite local coffee shop.
Music: "Java Jive" (the Inkspots), because duh.
Disclaimer: Not a commercial or intended to be one. It's just a goofy-ass little video shot on my goofy-ass Super35mm camera. I wanted to see if I could put something together in IMovie and sync up sound.

See, I told you we needed a zombie plan.*

I said so all the way back in this post. This right here is why.

There I was, minding my own business on a lovely late-October Saturday afternoon, running some errands in The Annex and loaded up with with two cameras, twenty bucks and a pack of gum. I figured I was ready for anything.

And then suddenly, I saw... wait, no way... are those zombies?



I couldn't tell. I needed a closer look. I hopped in my car, circled the block and hauled butt down Bathurst Street, in order to get a better look at them. Just down the road, my suspicions were confirmed:



So, I did what any self-respecting, well-armed citizen would do. I shot them — with my trusty Minolta X-370, conveniently already loaded with film.



The zombie bride spotted me, and blew me a kiss...



...and that's when I noticed her zombie wedding party was on my side of the street!



It was scary there for a minute. They were all, "Blahblah BRAINS blahblah," and I was like, "Hey, no, no, look THERE!! Spicy brains! Yeah, that's it!" In the end, all the zombies needed was a little attention, guidance, appreciation, encouragement, and the promise of spicy brains. They ate it all up.

*No zombies were harmed in the making of this post. In fact, it sounds like a grand time was had by all, living and undead alike. If you know any of the zombies in these pictures personally, please give them my love. They were fantastic and completely made my day.

We're all waiting for spring

...even the street art.


She Waits for Spring, Kensington Market, Toronto, Dec. 29, 2010

I took this yesterday with my new camera, a DianaF+. It's an intentional double exposure using 35mm 100-speed film. These are fun, totally manual, very retro cameras that normally use 120 film, but can be modified to use 35mm (thankfully, since processing options for 120 film are few and far between these days). I think I'm in love.

Happiness. I've missed analog photography. For the first time in a long time, I can't wait for the next sunny day.


They All Come at Once, Streetcars on King Street (at Peter Street), Toronto, Dec. 29, 2010 (double exposure)

If it were E.T. phoning home, I'd be more OK with it

I press a button near my ear. There's a little *bleep*, and a digital female voice says, "Say command."

"Call home," I reply.

"Did you say, 'Call home?' "

"Yes."

----------------------------------------------------------------

The province is introducing a law at the end of the month prohibiting the use of hand-held devices while driving. Cell phones. MP3 players. As of the end of the month, you have to be able to operate them hands-free if you're behind the wheel.

If only they could prohibit pedestrians from using the same distracting hand-held devices while crossing the street, we'd be all set. I had two separate potential my-fault-accidents walk out in front of me — without looking, against their signals and into the middle of downtown traffic — while talking on their phones this Friday afternoon. But I digress.

I get it, I really do, and I fully support the law. I don't use my cell phone in the car that much, but I'm certainly guilty of taking and making calls once in a while while driving, and it's a convenience that I'm not willing to give up. What that means, though, is that I'm being dragged kicking and screaming into a little more technology in my daily life than I am completely comfortable with.

I'm of that in-between generation. The internet started to become more widely used while I was an undergraduate in the early 90s, but the web didn't come about for several years after that. I was an early, if slightly reluctant, internet user, but it quickly became integral to how I communicated with friends. I could telnet into a MUSH and talk with them in real-time when I was on the other side of the ocean. Email was a necessity. When the WWW came in, I was in my early 20s, and I acclimated just fine. These days, I check my email compulsively and usually have my laptop nearby. I'm a Mac girl, through and through.

It took me longer to get a cell phone than an ISP. It seemed... too much connectivity. I finally broke down in 1998 after a car accident in Western PA, and we realized how much issue it would have been had we not had family right there with us to help out. Only a handful of people have the number, and to this day, my cell plan is the cheapest one I can get that includes voicemail. I do not have an IPhone or a Blackberry, it's just a basic cell phone. It has a camera, that's kind of cool, but whatever. I do not have data or text messaging. Honestly, I have three email addresses and I check them 50 bazillion times a day. I'm not hard to reach. I have to draw the line somewhere.

Which brings us to today, me sitting in a cafe with a bizarre-looking earpiece sticking out of my ear. I figured I'd try this hands-free cellphone thingy out when it's not critical, so we set it up and I went out to do some errands on a Sunday afternoon. I'll admit, the voice-dialing thing is neat. I knew the phone had the feature, I just never used it.

I caught a glimpse of myself in the mirror as I was heading out the door, and realized that I look like one of those people that annoy the living shit out of me - earpiece sticking out of their ear, you never know when they might stop talking to you to take a phone call that you didn't hear coming. They talk loudly, and apparently to themselves, in the coffee shop or in the line instead of ordering or paying. I'm reminded of one of those stories where everyone is plugged into their technology all the time and it takes over their minds. I sighed.

"I look ridiculous."

DH stuck his head around the corner.

"Hey, just pretend you're like Uhura. 'Captain, you have a call...' "

I grinned. You know, I hadn't thought of it that way.

"Captain, Priority One message for you from Starfleet," I said in my best phone-professional voice.

"There you go!"

Sometimes, he really knows what to say to make me feel better. If Uhura can have that thing sticking out of her ear and still be awesome, I'm good, right?

----------------------------------------------------------------

"Did you say, 'Call home?' "

"Yes."

The line begins to ring on the other end, and my husband answers the phone.

"Starbase 5-8-0-0 here."

"Hi, honey."

"You broke the ship again, didn't you?"

I break into peals of laugher. I love that man.

Ask not what we do to history; ask what history does to us*

Some days, I think, should simply be re-written. Forgotten. Pages removed from The Book and dropped into the fire.

I tried to explain this to a Librarian once, and was threatened with excommunication and confiscation of all of my library cards for being a heretic. Librarians can be scary.

Mind you, some days, I want to be a Librarian too. "Fear me," I would say, and others would tremble as they handed their books back. Naturally, I would only use my Super Seekrit Reference-Finding Powers and my Mighty Data Mining Decoder Ring for good. Also, my cape would look suspiciously like a lace shawl.

Obviously, I digress.

I think what The Librarian didn't understand is that I wasn't implying that it was only the bad days that should be forgotten.

History is tomorrow's spoilers. "Doomed to repeat itself if forgotten" and all that.

On those days when it seems like there is nothing new in the world, nothing exciting that can make me want to do, to create, I curse my inconveniently good memory and beg to forget something that made me insanely happy so that I can rediscover it and be insanely happy about it again.

It's a slippery slope, I know. Remember that episode of Fantasy Island, where the couple wanted to fall in love again, so they were made to forget each other and they almost hooked up with the wrong people? I know I'm the sum of my experiences, of my history, and I like who I am, and I wouldn't erase a part of that. To quote a truth from an otherwise unfortunate movie, "I need my pain!"** Eventually, something else comes along that brings me joy again. I hold out for those moments, because if I lost hope in them, I would surely go crazy.

But still, there are some days...

...some days when I wonder if in order to experience true joy again, we first need to forget what it was like.


*A musing on the pendant What We Do To History, made by elisem.

**And just what does God need with a Starship, anyhow?

So many palettes, so little time

This week we finally had a warm enough day, one where I could leave the back door open and let the fresh air in. There are still flowers on the magnolia tree, though they are dropping fast. The wind is helping them along. The forsythia is greening. The lilacs are about to bloom. On weekdays, I can hear the bell of the elementary school on the street behind us, calling in the kids from lunch and recess. Someone is mowing their lawn. Hrm, perhaps we should think about that.


That clover is far too high to be real.

Notice that there are still flowers on the magnolia tree, although they are falling fast. As such, my draft is not yet turned in to Lady S, but it must be soon. I have not yet resorted to glueing flowers back on to the tree. She made a point to remind me on Friday to "not mess with nature." We seem to have developed a strange dialect of floral metaphor for the writing process.

It's still too cool to move Audrey the Indigo Vat outside and open her up for the season. Maybe next week.

Last weekend, DH and I made it to the Toronto Comic Arts Festival (TCAF), and spent a little more than we planned - but only on good things. For instance, two prints and a small, obsessively handmade copy of The Innumerable Obsessions of Purl McGee from artist Willow Dawson, a couple collections from Wondermark, and this poster from Dinosaur Comics, to hang in the TARDIS, er house.

And then in the "Oooh, check it out, they signed it and sketched something for me!" category:


Matt Kindt's Super Spy, in which he drew the top half of the panel of original art that I also bought.

And perhaps our favourite score (for now), one of the last four copies in the building on Sunday of Kate Beeton's Never Learn Anything From History, bought from the lady herself and signed, along with a copy of this print, which makes this Trek-girl very happy. Kate personalized the book with this:


General Brock, from this strip, being all majestic and heroic and shiny before, you know, getting himself heroically killed.

Sometimes Lazy Days. Sometimes Not So Much.

I keep meaning to post, and then I realize I haven't taken the pictures, and then I put it off, and then suddenly it's a week later and I haven't posted. This has happened more than once. Bah.

See, I have this new camera. I mostly like it, except that the only documented way to get pictures off of it and on to the Mac appears to be through iPhoto, a program which I dislike, intensely and almost unreasonably, since it 1) forces me to upload everything currently on the camera, whether I want to at that moment or not (for instance: I only want to deal with two small pictures right now, not spend 30 minutes waiting for iPhoto to chug and churn to upload 7 GB of video), and 2) decides all on its own where to put files on my hard drive. Putting the pictures where I want them involves extra steps of digging through the hard drive to find the right directory and moving things around manually.

The whole process is unnecessarily complicated and drives me batty. I wish I could just plug the dratted thing in and have it show up as an external hard drive, like my old camera (ca. 2000, only takes 15 second videos, needs a new battery, but which I know like the back of my hand and love). All of this means I can no longer deal with pictures quite as efficiently as I'm used to, so it's become yet another thing to avoid. I suspect I have a solution though, which I will try out this week.

Bloody technology, thinking it knows what's best for me.

ANYhow.

It's been a mostly lazy couple of weeks. The sun is shining and it has been getting warmer each day. Dare I guess that it might be... spring? The magnolia tree seems to think so. It's now full of pink buds.

Some progress on no-longer-secret-project #3. The recipient knows about it, and has happily approved the yarn, colour scheme and pattern, so I think it's safe to say that this blanket will be for M. & C.'s Wiglet (i.e. baby), who, in fact, decided to make his grand arrival in Canada just over a week ago, after keeping parents and midwife on their toes for several days. But all are well, and he is as adorable as expected.


A big welcome to the week-old young Mr. R., aka Wiglet, who I met Friday.

I'm almost halfway done and speeding up a little, especially now that I've finalized the moon and star charts, weaving in ends as I go. In a strange way, I'm enjoying all the balls of yarn hanging from the back, which slowly but surely become tangled as I change colours. I carefully untangle them, knit a few more rows, and do it again. It's like a little dance between me and the yarn. A very pleasant, slow dance.

A couple Saturdays ago was spent in the back corner of my dusty basement with several SCA friends, sorting through a pile of canton common property, counting, consolidating, re-packing, tossing junk, and creating a photo-database of everything. There was wine and Dooley's and laughter along with the friends, which I think is the best way to spend an afternoon and evening. The inventory was well overdue. It was a big job, and in the end we completed what we set out to do, and felt like we accomplished a lot, which is the best outcome one can ask for, don't you think? Especially with wine.


Now taking up only 1/3 less space, and we know what's in every box.

Last weekend was spent making mini-heddle weaving kits using tongue depressors, sticks, glue and a Dremel. I've been wanting to try this out since seeing something similar last summer. Basically, it's the heddle portion of a rigid heddle loom. No frame. C-clamp each end of a not-too-long warp to something and weave away. Great for making narrow warp-faced bands, as you can see, and I think a little less troublesome (and less expensive) than an inkle loom or card weaving. A lot of patterns can be created using pickups. I demonstrated the technique to one of my local SCA cantons Monday evening.


A small strip of warp-faced weaving on the mini-heddle loom, and the current movie to feed the ongoing fixation.

Finally, with the impending spring, I will soon venture out into the gradually-greening backyard. The yellow tulips are long since open, and the magnolia tree is probably less than a week away from being in full bloom. I haven't raked all the dead leaves from last year, so much of the back yard remains a mushy mess. Stay tuned for an upcoming new installment of...

Weird Things We Find In Our Yard

We've lived here over a year? No way.

I'm not exactly sure what happened to this last year. It definitely doesn't feel like we've lived in our house for over a year. It really didn't feel like it last week when I was down in the basement digging through boxes looking for something that I hadn't seen in, well, a year, unearthing a whole lot of other things I hadn't seen in... um... a year, and thinking, "Holy crap! We have to start unpacking some of this stuff!" And then I started sneezing profusely, and I realized that all the boxes and bags were covered in a not-insignificant amount of dust, and I had to come back upstairs and sit down with a glass of iced tea, a cookie and contemplate The Year That Was.


Unsurprisingly, I found it upstairs in the living room, in full view in a bag on a bookshelf that I've walked past every day for a year. The Cube is never far away in my house.

Ten minutes later, after I'd messed it up and solved it three times to prove to myself I could, I was being poked by a cat, the phone was ringing, my email was beeping and I had forgotten all about the hole in time that was last year. This was home for me as soon as my husband, cats, knitting, bed and the computers were moved in. In that order. I might as well have always been here. I don't know if it's home for DH yet, but he takes a little longer to warm up to these things than I do. He keeps saying, "It's getting there." I suspect it won't really be home to him until we do something major, like renovate the kitchen, which will come in time.

This past week, I naturally should have been preparing for my second-ever lecture today - this is the first time I've been the course instructor (i.e. head honcho) for a course, and I have 200+ students and no fewer than eight minions teaching assistants to organize. They're all great and experienced, though, I'm very lucky. I, however, have been knitting and weaving instead. I'm mostly finished with my part for one super-seekrit joint project:


Brighter is better!

I'm working up a swatch for another:


Reversible cables without a cable needle, a slight revision of this pattern. Because I am a masochist, apparently.

And I've gotten well underway on a third project, which is also super-seekrit, but not joint.


Why, yes, that is the yellow yarn that was taking the form of yarn barf in the last post. Thanks for noticing!

Emails have been piling up from students who have conflicts with this and questions about that (some of which are answered on the syllabus, but let's not tell them that, OK?), my course website is barely adequate, and I only just got access to the enrollment lists because someone higher up fixed it for me today. One of my TAs is on the other side of the world and wasn't able to get a flight back in time for the first tutorial today (though she certainly did try - and there was someone to cover it, but it makes a good course instructor story, no?). Another TA flew into town late last night and had a solid case of jetlag for the first tutorial, poor thing. It would be nice if I started the next lecture before the day I have to give it - that hasn't happened yet for the first two lectures, which, apparently, I pulled out of my ass with a great deal of support and shared course materials. I owe Lady S an email, and I have a goal of doing some work on the Big D Proposal before the end of the week.

But those are all tomorrow's issues.

Tonight, I can relax in the knowledge that my second lecture, by some miracle, did not suck, my inbox is temporarily empty, and I'm mostly on top of the things I can control. I will weave a little, and attack cables a little, and enjoy being... home.

Weaving post soon.

Whoever coined the phrase "warp speed" apparently didn't have cats

So. I warped the loom. Again. After the unfortunate incident with the red warp yarn that we dyed, I picked up five balls of lovely, red, strong DK-weight alpaca.*



I warped this up the weekend before last onto a 10 dpi heddle and wove a few inches, only to realize that the loom was assembled wrong. This bugged me something fierce, so I took the warp off, fixed the loom, re-tied it and wove about five inches that Sunday night.

Monday I looked at the resulting fabric with a critical eye. The fabric was coming out a little too airy, and was not going to be as weft-faced as we want it. Since the weft yarn is our group's cochineal hand-dyed handspun from raw fleece, we want it to be prominent.

So, I took the whole warp off last Tuesday, and Wednesday night I re-warped it onto an 8 dpi heddle. I was all set to have DH help me wind it onto the loom that night, but that was not to be:


The union stages a sit-in.


Negotiations commence: Whose need is greater?


Negotiations are concluded for the evening.

In the interest of not interrupting an obviously necessary nap time, we wound it on early the next morning, before he left for work (DH is a very good assistant warp-winder-oner, no matter how much he doth protest), and I tied it up Thursday afternoon. I spent much of last Saturday sitting behind a table collecting entrance fees from people for an SCA event.


A knitted SCA combined Arts & Sciences badge. Made quickly a couple weeks ago at the request of the event head cook, to her specifications, to be used as part of a serving presentation during the feast.

During the afternoon dead time at the event, after everyone who was coming had shown up but before we could officially close down the gate, I got in some good weaving time, and had help from at least three others. In the spirit of a truly group project, I'd like anyone who wants to weave a few rows to get a chance, so I taught a few new weavers as well, and Sunday I did some more at home.


Who's happy? That would be me.

It's coming out beautifully. The natural variegation of our handspun wool shows well, and the little bit of warp that shows adds just enough red to brighten it up.


Qapla'

From the first 79 foot skein of weft yarn, we have well over a foot of fabric, 18.5" wide. We're getting 9.5 rows of weft to the inch. We need a little over six feet of fabric - two 3-foot pieces - and then it goes off to others for embroidery and finishing.

And as I finally finish this post and check the date, I realize that it is officially our 14th wedding anniversary. Happy anniversary, love.


* Which begs the question, from a historical re-enactment standpoint, can alpaca yarn be considered within the SCA period we're aiming for, i.e. loosely pre-1600 (1650-at-the-latest) Europe? The answer is, maybe. Alpacas are a South American animal, domesticated there for thousands of years. The Spanish were slaughtering conquering the Incas in the 1500s, meaning they would certainly have had access to alpaca. But did the European conquerers actually use alpaca? Um, probably not. Rather, the Spanish brought in their own herd animals, and it's possible that nearly 90% of alpacas were wiped out during the Conquest, the rest being saved by the natives who took them up into the inhospitable higher altitudes. All modern alpacas come from these surviving herds. Alpaca wool was not really used in Europe until the 19th century. (Note: please don't use me or these random web pages as a reliable scholarly source!)**

** All of which begs the further question - Do I care?***

*** Which brings us to the answer: Nope. I have warp yarn of the right weight and colour that will not break on me. It is not synthetic, and is in fact from an animal that was domesticated well before 1600 and known by Europeans at that time, even if they were too dense to bother using alpaca for fibre. Blows raspberry in the general direction of any authenticity police.

OK, so I had a spinning geek moment

Last month, I skipped band practice one week* and and went to my first ever Wednesday night meeting of the Downtown Knit Collctive. The speaker was Richard Ashford,of Ashford Handicrafts (i.e. the spinning wheel people) in New Zealand. There's a picture of him addressing the DKC on the Ashford homepage - click on "our people" and scroll down a little. Or go here.

The talk was fun, and I got to see enough of the Ashford (rigid heddle) Knitter's Loom to decide that while the ability to fold up a loom with the warp on it is nice, I like my Beka's ability to handle multiple heddles a little more right now. Also, when it comes time for a wheel in my life, the Ashford Joy is right up there on my shortlist.

Oh, and I had a geek moment:


He was a little surprised by the request, but also very gracious

I assured him that a blue Sharpie marker wouldn't hurt the spindle. Also, the bit of roving on there was spun by him - he borrowed my spindle briefly to demonstrate to someone. Very nice man.

Remember this scarf? I talked about its acquisition here, when I bought it over two years ago. Shortly after that picture was taken, I attempted to set the unknown blue dye, which the person I bought it from warned me was absolutely, positively not colourfast. Boy was she not kidding. By the time I was done Raycafixing and rinsing, it was a little lighter than this roving. Two years later, without any washing, one end was almost white again.

Missing the awesomeness that was the original, I introduced the scarf to Audrey the Indigo Vat in September. The result:



A lot of indigo came out in the rinse, and it's a little blotchy, probably because 1) Audrey had been used heavily the week before and was in need of some fermentation in order to re-reduce, and 2) when I tried to set the original dye job a couple years ago, I used Raycafix, so the fabric has already been chemically treated. The colour is lovely, though, and not exactly what I expected, probably because of the residue of the previous dye.

I wanted to give the scarf one more indigo dip before I officially pack up Audrey for the season, but then we had our first light snow flurries of the season today. I am not impressed, and neither is Audrey. She has been moved inside to her winter digs in the basement as of this evening. We're going to seal her up and try to overwinter her, as long as the smell doesn't start escaping into the rest of the house.


Goodnight, girl, sleep tight! Really, extremely tight. Thanks.

Next post, hopefully, the recounting of our mid-October dye madness day!**

*Sssh!

**Oh, what the heck, here's a preview!


L to R: Indigo, Dyer's Broom, Madder

The garbage has been upgraded

DH got home from work at the usual time today.

D: Come for a short walk with me. Just down the street, a couple houses south of the service station.

Me: Huh? I'm making a latte. Need coffee.

D: Is it iced? It'll keep. Grab your camera. Really, I want to know if I'm imagining this.

Me: But... coffee. It's after 5, and I haven't had coffee today. Need coffee.

I hit the button, and the espresso machine begins to cheerily grind beans.

D: C'mon, it'll only take a couple minutes. Indulge me.

When he says these words, I know he usually has a good reason, darnit. The magical machine purrs happily, pouring two shots over ice. I sigh wistfully in its direction.

Me: (slipping on sandals and jacket) *grumblegrumblecoffeegrumble*

Here's what he wanted to show me, and he was right. It made me laugh like crazy:


Okay, now I really need that latte.

DH points out that it's interesting how easily these things slip by us. You're used to all sorts of crap stenciled on these bins, so you barely notice. The only reason he noticed was because seeing the bin reminded him that garbage day was coming up, and then he looked at it a second time. I had walked by that very place twice today on the way to and from the grocery store not an hour before, and I didn't notice it. Even staring right at it from across the street this evening, it didn't clue in right away.

Apparently, we were a few months late to the party. Here's someone who beat us to it. We're pretty sure this is the same location.

I really love my neighbourhood.

Perhaps I should also keep an eye on the garbage men?

The grass and sunlight are woven in for free

I'm home from Pennsic. This year I camped in a new location with a different group. (I-79 side of the Serengetti rather than on Runestone Hill). Being with a small group was quite a bit different compared to the 40+ people in my encampment last year, but I did miss the other group a little. Our encampment was so quiet. Well, OK, quiet in some ways. I haven't completely passed judgement on the location, but I could definitely have done without the almost constant air horns and jack brakes from the highway.

However, it was nicely flat (a bonus, seriously), shockingly convenient to the merchants, main food court and A&S tents, and I did not miss climbing the steep part of the hill every day. I did miss the sound of drums coming up from the lake all night long, though, and the feeling of being more at the centre of things. I'll have to wait a couple months until it's in long-term memory before I decide if I liked the good parts of it enough to camp over there again.


This was taken shortly before tear-down, so the camp fence and lanterns are already gone.

I played in a very excellent pickup dance band from Sunday through Tuesday. I'm still not a spectacular recorder player, but I'm starting to be able to hold my own on melody and play most things up to speed, which makes me happy. I still need a lot of work on recorder, though.

At heart, I suspect I'll always be a brass player. I believe I want need a sackbut. Possibly before the natural horn. Some day.

I was pretty good about not buying too much. I did have to pick up the obligatory spindle:


Yes, it's a heart. Yes, the pink felt baggie came with it. It would make me sick if it weren't so darn pretty.

...and the traditional couple of bags of naturally-dyed roving from Brush Creek Wool Works.



I had to get the red. Their cochineal red with tin mordant is almost exactly the colour we got. In fact, these were the reddest bags of the batch - the rest of her selection were noticeably lighter. I suspect the evenness of her colour compared to ours is because she dyes rovings, not raw fleece of questionable cleanliness. Her cochineal with alum mordant roving was close to our raspberry batch. It makes me feel considerably better to know we got what the pros get with our cochineal dyebaths. Oh, and that yellow? Onion skins with tin. Really, how awesome is that? Onions are the new neon.

I also picked up a pretty thing for my hair, a tiny hard leather pouch, two small handbound leather journals (with handmade paper! and refillable! one for me and one for Daniel to use as a sketchbook), some herbs for a friend and tea and honey - nothing to break the bank. No looms this year, thanks, and I even passed up on the expensive but lovely closed-toe shoes. I walked past the harps and sighed.

Once again, Dread Viscountess Seelie offered rigid heddle weaving classes, so a lot of my second week was spent weaving and generally playing with string. This year we were re-creating several specific archaeological textiles on the rigid heddle loom, using the multiple-heddle technique she taught last year. A few of us offered up our looms as teaching looms, so in all we had five looms going with different warps. We all wove a few inches on each pattern. All designs were woven on standard 20" Beka SG-20 rigid heddle looms, using either two or three heddles as required (3 or 4-shaft patterns), and no pickup sticks.

First a 1-2 Rippenkoper. This is a three-shaft design, requiring only two heddles. Basically, it switches between a 2-1 twill and a 1-2 twill, weft-faced to warp-faced, and also reverses.



Next, a rosette twill. This is 4-shaft design, done using three heddles.


I think this might actually be the back, but I like this side better.

And finally, my absolute favourite, the Jorvik 1336 (i.e. "Coppergate") textile. A honeycomb, or wabengawebe with a twill. I messed up the pattern more than once, being highly distractible on a good day, even more so there. A couple times I only did one repeat of the pattern, and once I did three. But I definitely want to make some long pieces of this one and do something with them.


Front of an apron dress, perhaps? Hmmm.

There was also a loom with a standard 4-harness twill warp, but since I did the twills and double-weaves last year, I didn't do more of those. One of the looms had to go back with its person early and we ran out of time, and since I was planning to put that very warp onto my loom at home, I was asked if I could weave up 5-6 samples to send off to the instructor and others in the class. It's definitely no hardship! I'm learning a lot, and getting the warping experience I was looking for.

So, now on my loom and weaving up nicely, a 2-1 Lozenge. This one is another three-shaft pattern, so it only requires two heddles.


Sample one of five. Or maybe six.

There really is something to be said for sitting under a sun shade, warping looms with a group of women, chatting with the person across from you, muttering the count of the warp thread quietly between sentences... "Here's the three. So, did you guys get wet last night? No, I was very dry - two fours coming through - but it was freaking cold when I woke up at three in the morning. Is that sixteen? OK, tie that off."

Someone might have caught a video of Seelie weaving in one of the classes, in which case I'll definitely post a link. Most of the drafts for these patterns can be found at the complex weavers medieval textiles study group, in the section on the textiles discussed in Lise Bender Jorgensen's book. The Coppergate textile draft is from Thora Sharptooth's site.

Aside from the RH weaving, I didn't take too many classes - one exception being a viking wire weaving class. I got to make a necklace, and wire-wrap a bead. I need to finish it with a hook for it to be completely done - but the part where you pull it through the drawplate is so much fun. It's like magic.



What do mean you don't go to Pennsic to weave?

I leave you with this. It was visible from Currie Road, near the west gate.


Everyone goes to Pennsic, didn't you know?

It's official: We have a zombie plan. Thanks, JoCo.

It's only official when the folder is in the household business filing cabinet.

What do you mean you don't have a zombie plan? That's just crazy talk. Every family should have one.

I'm sorry, I can't divulge the contents of our household plan to survive a potential zombie apocalypse. Secrecy is key.

We were reminded of the need to formalize our zombie plan after last Wednesday's Jonathon Coulton show, with Paul and Storm, at Lula Lounge:


Will you be a fast zombie or a lethargic zombie?

We had a dinner reservation - our table was very close to the stage, which delighted us. The food at Lula, btw, is stunning. Amazing. Excellent. Also: the mojito menu is longer than the regular menu, and the food is so good, you won't notice. How can you argue with that?

The show was magnificent, with much audience participation. There were water jokes, zombies, fuzzy lobsters and lots of piratical "arrr". The digital video cameras were out in force - those kind souls who shot and posted footage have accumulated some good citizen karma for helping make the rest of my week that much more bearable. There were so many wonderful moments of the evening, I couldn't possibly list them all. There were a lot of favourites, but this serene cover, with Paul and Storm, of Birdhouse in Your Soul stands out.

And speaking of Paul and Storm, their opening set was a blast of awesome to set up the evening. I would go see them again in a heartbeat. Among the highlights was a new song, "Live" (high-tense-front-vowel-i) for the first time live (high-lax-front-vowel-i).


Such a tender ballad, it brings a tear to the eye

At least when I skip band practice, it's for a good reason.

The only knitting request he's ever made...

...is finished. Here's the completed Season 12 Dr. Who scarf. I wove in the last few ends and put on the tassels Tuesday evening. It has already been slept on by the cats, so I guess it's officially done.


Total unblocked knitted length without the tassels and not under tension: 15' 6"

The tassels add about 4" on each end, and when worn, its own weight will always cause it to stretch some. On DH, it's wearable by looping twice, unless he wants to trip over it:


He really prefers to be behind the camera, but he's a good sport

I've requested that he not wear it dragging on the ground, as is traditional. This is not about it getting dirty or damaged, because that's going to happen no matter what, and patches on a Dr. Who scarf are traditional. However, he does take a bus, subway, several escalators and an elevator to work. Under those conditions, a dragging scarf could be... unfortunate. I don't think I'll block it. It doesn't need any help to stretch, and it looks more authentic like this.

I continue to spin the black superwash merino/golden-brown tussah silk batts into laceweight singles. I tried out my new tulipwood nostepinne to wind the first spindle-load into a centre pull-ball.



At least I finished something, even if it wasn't my Big D proposal revisions, which were "due" a week ago. I vaguely remember a time when deadlines meant something...

Mother Nature has a full scholarship to F. U.

...but you can't deny, she has style.

From the evening of March 9th, a day or two after the latest bashing (the snow had already melted a little - notice the tree branches are empty). Comparing the bends in the tree trunk, the snow looks to be at least a good eight inches deeper than in the pic posted on Feb. 9.



This one was taken by Daniel on his good Olympus camera. It's three sequential shots of the same scene taken an exposure apart, then re-integrated using a freeware HDR app. This preserved more detail in the final picture, since he was shooting directly into the setting sun. (Shhh, I think he's having fun!)

For once, a meme worth posting

Haiku2 for barelyathread
this wool is almost as bad as libraries except libraries spit you out
@ aboutmylife.netadvogato.orgblogger.comblogs.gnome.orgblogspot.comdeadjournal.comgreatestjournal.cominsanejournal.comlivejournal.commyspace.comspaces.msn.com
Created by Grahame

I loaded it a couple times, and an earlier one started off with "When Pennsic...", and ended with "first in line, baby." It was good, but I'm quite enamoured with this one.

OK, one more, I couldn't resist:

Haiku2 for barelyathread
starbuck's cup is clearly visible i hope that feeling passes soon
@ aboutmylife.netadvogato.orgblogger.comblogs.gnome.orgblogspot.comdeadjournal.comgreatestjournal.cominsanejournal.comlivejournal.commyspace.comspaces.msn.com
Created by Grahame

Now to work. I mean, really.

A Time to Spin, Part 6: The martial art of fibre preparation

September has come and gone, and I'm not entirely sure what happened to it. I think I've been busy, if by "busy" I mean I've been doing a lot of things that have nothing to do with The Big D. I also have a conference presentation to give in less than 10 days, and I haven't touched the files since June. Naturally, the best way to deal with that, I figure, is to finish the blog post I started nearly a month ago.

This is my brain on procrastination. And also, caffine and ice cream. Wheee!

So, from the spinning perspective, Pennsic was very good to me. Take, for instance, my new pair of Indigo Hound Viking Combs:


That is some of the fleece I washed up in June loaded on the combs. I bought them from Brush Creek Wool Works, who were apparently the only merchants at Pennsic selling wool combs, and they only brought four pairs with them. I bought the first pair, like, the second day the merchants were open. They sold them all by the second week. They are awesome. And also, deadly sharp. I like to think of them as the weapon of choice for ninja spinners.

My new toys weapons produce a wonderful roving, shown below after combing as it is being taken off the comb. I need would like a diz, and should probably just make one for myself, but in a fit of laziness I ordered one yesterday.



I declined to buy more fleece this year, since I still have most of the first washed Dorset to spin and two more fleece still to wash, on top of stash from LAST Pennsic to finish spinning, like my first brown fleece. Naturally, I had to make up for that somehow, so I went a little plant-fibre happy back at Brush Creek Wool Works, who were, conveniently (?) right beside the merchant who was teaching the three rigid heddle weaving classes that I took. I picked up some hemp, bamboo and flax to play with, and some lovely light green eucalyptus & tin-dyed wool. I don't expect to get to any of it for quite a while, what with one thing and the other, so no pictures at this point.

And because one can't have too many drop spindles (no, really!), I got this marvelous little one with a pink ivory wood whorl from Spanish Peacock:


What else have I been up to for the last 6 weeks? Well, that will take at least another post, I think. But it involves nothing less than a quest to dye wool crimson red and deep green using natural dyes, as well as learning how to calculate how much poundage will need to be dyed in order to spin up the appropriate yardage to weave a particular super-secret finished project on the new loom. Wool math. Sigh. I'm saving pictures of the loom until the project is really under way, and I am released from my vow of secrecy.

So in lieu of that, a few Pennsic pictures, finally. The tent, for the record, was lovely, and kept me wonderfully dry for what ended up being a particularly rainy War Week. I hope it will serve as a great home for many wars to come. Alas, I didn't get very good pictures of it myself, but I've found several online taken by others.*



I ended up in something of a "landmark" spot, right inside the gate of our camp, at the point where a well-traveled road and path intersect. It was nice, every time I started down the hill, to be treated to a perfect, picturesque view of my home:
Shot from the top of Runestone Hill

In a comical twist of fate, the only picture I've found so far of me with the tent is a stunning shot of... my butt:



And finally, a marvelous shot of our camp at night (the tiniest corner of my tent is visible on the lefthand side). I'm probably not one of the people sitting around the fire, as I tended to be either up topside and playing for dancers by this time of night, or asleep.

*The last two pics shown here have been uploaded to my blogger account rather than loading directly from other servers, but they still contain links back to the larger pictures on the photographers' respective sites, so that they can have all the credit. If one of these is yours and you'd like it removed from blogger and linked directly, just let me know and I'll be happy to oblige.